Nerdy thoughts on a nerdy world

DVD review: Mystery Science Theater 3000: VX

Joe Lawler — Wed, 08 Jul 2009 12:36:02 GMT

I swear I'm not trying to make this the all MST3K blog. It just happened to work out this way for the last two entries. Next week will see an interview wholly unrelated to puppets making fun of movies, I promise.

This week Shout Factory released Mystery Science Theater 3000 Vol: XV, a set of four movies from the movie mocking show. Here's what includes.

Robot Vs. The Aztech Mummy: Scientists invent a robot to steal an ancient Aztec mummy. Unfortunately for them, the mummy won't stand for that. Or to put it another way, he will stand for it and fight the robot.

On the surface this seems like the perfect MST3K movie: science vs. magic, a crazy name and D-grade special effects. The problem? It's from the show's first season, when it really hadn't hit its riffing stride. It still has its funny moments, but they don't come as fast and furious as the later seasons.

Joel Hodgson and the original cast of MST3K are now riffing as Cinematic Titanic and have redone the classic episode "Santa Claus Vs. The Martians." I'd love to see them take a second crack at this movie. It has so much potential that seems untapped in this episode.

The Girl From in Lovers Lane: Two drifters settle in a small town, but instead of small town values they find hookers, pool hustlers, a leering man-brute and a girl with a heart of gold. You know things won't end well for her.

A solid episode, but also a depressing one. Joel goes so far as to explain to the bots that they don't have to accept the film's dark ending. At least with the ending of Manos it was so ridiculous you could laugh. This is one of the few times I felt sorry for a few MST3K movie characters.

Zombie Nightmare: When a gang of teens strike down a body-building baseball player (played by rocker Jon Mikl Thor), he returns from the dead with the help of a voodoo priestess for revenge. Tia Carrere and Adam West show up to face off against the zombie and also be pretty unlikable.

For people who complain about MST3K using old black and white movies with no-name actors, this is the film for you. Made in 1986, it's new enough and with enough recognizable faces to make it a good introductory episode. Plus, it has a zombie with a baseball bat. Mike, Tom and Crow bring their A game for riffing, helped by a steady supply of Adam West jokes.

Racket Girls: Welcome to the twisted world of ladies wrestling, where ladies... wrestle. A lot. This film has a plot about gangsters, but mostly it's full of extended scenes of scantily-clad (for the 50s) women grappling with each other. Before you get excited, keep in mind that they all look like someone's aunt who had one wine cooler too many.

There's a lot to work with here, but there are also long stretches where nothing is happening in the movie except wrestling. Lots of wrestling. It just goes on and on. Mike and the bots play into the situation well and give wrestling a try during the host segments. Since there are long, dialogueless stretches with nothing but the wrestling happening.

Special features: Robot vs. the Aztech Mummy and The Girl in Lovers Lane come with Behind the Scenes: MST3K Scrapbook Scraps I and II. It's host segments from the show's KTMA season, when Joel, Kevin Murphy and Trace Beaulieu were doing the show from a local TV station in Minneapolis.

Segment II shows footage of them writing and riffing an episode, which is cool to watch. It might be the closest we get to seeing Mike and Joel riffing at the same time.

Zombie Nightmare includes interviews with stars Franks Dietz and Jon Mikl Thor. It's a good combo, since Dietz seems to understand he was in a bad movie and Thor... doesn't. But if you want to hear him talk about how awesome he is, this is the interview for you. Also, he has not aged in a very Thor-like manner.

Finally, perhaps the weirdest feature, is a clip from Hamlet A.D.D. an upcoming film that Kevin Murphy and Trace Beaulieu did voice work on. In the play-within-a-play of Hamlet voice robot versions of the king and his brothers. I'm not quite sure what type of movie this will be, but Iowan Leslie Hall has a part as the most famous of Hamlet characters: the zombie killer.

End result: Zombie Nightmare is the real stand-out film in this collection, with Robot vs. Aztech Mummy as the weak link. Overall, laughs abound, but I think one more strong episode would have really helped this set.

Grade: B.

Interview with MST3K/Rifftrax's Kevin Murphy

Joe Lawler — Tue, 30 Jun 2009 15:49:03 GMT

For years Kevin Murphy skewered cinematic duds as the voice of Tom Servo on the Comedy Central/Sci Fi Channel show "Mystery Science Theater 3000." The show ceased production 10 years ago, but bad movies kept getting made.

Murphy and his MST3K co-hosts Mike Nelson and Bill Corbett revived the movie riffing concept in 2005 as Rifftrax, doing their part to battle the latest Hollywood hogwash like "Transformers," "Indiana Jones & The Kingdom of The Crystal Skull" and "Twilight." They've also expanded into films many consider classics, including "The Dark Knight," "Jaws" and even "Casablanca."

Rifftrax are sold as MP3s to sync up to your DVD of the film. Recently Rifftrax released a series of stand-alone DVDs, including "Night of the Living Dead," "Little Shop of Horrors" and "Carnival of Souls." For these DVDs, no syncing is required.

Just a brief note: The interview was conducted in May. Since then a Rifftrax for "Red Dawn" has been announced, with Mike Nelson and "The Soup" host Joel McHale. "Red Dawn" has been a running joke/request on the Rifftrax site for years. I waited too long to post this, so of course they had to announce "Red Dawn" before I got the interview up.

How were you brought into Rifftrax?
Mike went out to California and got things going, we were looking for a way to work together and we'd done four DVDs for Shout Factory under the name The Film Crew. They were fun, but we'd always been looking for a way to do beyond just old movies. Those were sort of becoming easy targets for us.

We'd always been looking for a way to riff on new movies. Legends Films came up with a way of syncing up MP3 podcasts to movies people would buy or rent or have around their homes.

Once they got the testing of that done, Mike said "Well, we've got to get the rest of us in on this thing." We've generally found three of us, or even two, is better than one. It's very difficult to riff a movie by yourself. So I became involved a few months after they started it and got all the bugs worked out.

You mentioned looking for ways to riff newer movies. After years of doing B-movies, how did it feel to be riffing movies you might have watched anyway?
Really, kind of fun. It was freeing in a way. Riffing crummy old movies almost seemed too easy. It was a challenge to do something newer, and even something we obstensably liked.

For example, "Jaws." People say "What the hell are you doing riffing on "Jaws"?' Well, it's sort of like roasting the film at that point. You're not pointing out simply the faults of the film, because there aren't a whole lot of faults except the giant rubber shark. It's more like having some fun with conventions we all know and love.

That's the top of the scale. We've done films that I absolutely love: "Jaws," "The Lord of the Rings" films, those are all films I quite like. Yet it was fun to riff on them, and I think people quite appreciated them.

On the other end of the spectrum we get things like "Twilight," which is one of our biggest sellers, that's just like shooting fish in a barrel. In a way it's like what we do with the old bad movies, but since it's such a modern context I think it has relevance for people that a stupid old vampire movie might not. I think we've gotten the most feedback on that film of any that we've done so far, and it was so much fun to do.

So I assume any sequels will be riffed?
Oh, you bet. Just line 'em up and pop 'em.

These recent DVDs are going back to movies that are more like what you would have riffed with Mystery Science Theater. Why did you guys decide to revisit that older material?
I think it's mainly because of demand. Not everybody gets into doing the MP3 download and syncing it up. They want something they can just put into their MP3 player and watch at home. You want to respect that audience, because I think we're pretty good at riffing movies whether they're new or old.

These were films that Legend had in their library already, and out of a whole lot of films these came up to the surface. It's funny, because some of these are considered classics, say "Little Shop of Horrors." I don't know if they've actually seen it, or they just decided it was a classic because it's a Roger Corman film. But oh, it's a bad film.

"Little Shop of Horrors was the hardest, because it's obstensably a comedy. But it's the kind of comedy that makes me cry in despair, rather than laugh.

"Night of the Living Dead" is another one that people consider a classic. Fine, but it's old and very grim and easy to make fun of.

One of my favorites was "Missile to the Moon" just because it really goes back to the days of Mystery Science Theater. It's the kind of movie we would have done then: a sort of middle-aged hero, who really does nothing heroic, finds himself in a cave on the moon that's filled with Miss Universe models from 1962. You can't do any better than that.

What's the selection process like for the films that you riff? If you see a trailer at the theater do you think 'Oh we'll be riffing that in a few months'?
Oh yeah, I always drool when I got to the theater and see the trailers. Part of it comes down to if the movie's actually publicly available. If a movie is really bad, it's going to be hard to find, there for it's not going to do us a lot of good to write and produce a Rifftrax that only 30 or 40 people can see.

We like to look for popular duds. Or at least films that certainly had an audience. One of my favorites was "The Wicker Man," now that was not a huge seller, but it was out there for awhile, available on DVD and you could rent it from Netflix. I don't know a whole lot of people who bought "Wicker Man," and I don't know who they were other than they had a sense of self-punishment and a masochistic streak.

And then there are the gems that get visited into our laps, like "Twilight," because it was very popular, at least among a certain audience, (coughs) girls, and none of their boyfriends wanted to admit that they had seen the film. So we gave them an excuse. Now they can sit down with their girlfriends and watch this film.

And then there's "Beowulf," another one of my favorites. It was perfect for us, because it was so silly. When has Ray Winstone ever looked like that? It's a little more than make up. It's funny to see him in that, and then the "Crystal Skull" movie. I think most people would say "What the hell happened?" A lot of drinking in a very short period of time.

Is it harder riffing something like "Raiders of the Lost Ark" or "Lord of the Rings" vs. something like "Daredevil"?

Oh yeah. I think when a movie's not patently stupid it's more of a challenge. "Daredevil" was patently stupid, so it was easy for us. You've got Ben Affleck in a skin-tight leather suit, it was just lobbed up for us.

A movie like "Jaws," which I like, comes from a place of affection for the film. There's less negative stuff about the film itself and more playing off how those characters play off of modern culture and reflecting a modern generation's sensibilities against the film.
So it's a challenge to us to see how good we are as riffers, to do a film we really like.

Have there been any films that you expected to be ripe for riffing that didn't work out once you sat down to try it?You know, we've never abandoned one. "The Dark Knight" was hard, just because it's so grim. The only way to do that is to go in and leaven the grim a little bit. We had a lot to play off of there, especially with the Joker character, since he was so out there.

You start obsess on things with a film like that. Particularly, the voices. Batman puts on a costume and suddenly he adopts that strange voice. I noticed afterward that South Park made fun of the superhero voices, so I guess we were on the right track.

Did that film present an added challenge, because of the death of Heath Ledger?We didn't even enter into that. For me that's not a basis for comedy, to snicker at an actual individual's misfortune. We didn't address it in any way. We got a few comments asking if it was good judgment to make fun of the film. I'd answer that yeah, because it was a big superhero movie and those are always wide open to snicker at.

Not even out of respect to Heath Ledger, out of respect to the human race you don't make fun of people's misfortune. I leave that to bad stand-up comics.

When you want to laugh, what do you watch?
I like to watch a really good comedy. They're never easy to find. I just watched "Sullivan's Travels" again for the umpteenth time on the flight home. Preseton Sturges, there's something in what he does that's near and dear to my heart. People just don't make movies like that anymore. The Coen Brothers tried with "The Hudsucker Proxy," and as much as I liked that film I don't think they came close to Preston Surges. (Laughs) That's pretty damn old school.

You're not seeking out modern comedies then?
If I found some that were funny, yeah absolutely. The problem with modern comedies for me is they don't strike me as funny. I also watched "Tropic Thunder" on the flight out and, you know, it had funny spots. Was it a funny film in it's whole? Not for me. I give them an A for trying something new and different, and I think Robert Downey is finally starting to come into his own as a comic actor, but it didn't leave me afterwards totally satisfied. Not like a Preston Sturges film.

Mike's gotten to riff with some big names: Weird Al, Neil Patrick Harris and Fred Willard. You and Bill got The Comics Curmudgeon (Kevin laughs). If you could riff with anyone, who would it be?
I think the list would be endless. Let's get Bruce Willis in there, make fun of a "Die Hard" film. Wouldn't that be fun? Or Jason Statham to make fun of a Bruce Willis film and Bruce to make fun of a Statham film. Now that would be fun.
I'd like to get a director in there with the right sense of humor to make fun of one of his own films. I think that would be enjoyable too. One of those "What the hell were you thinking?" moments would be nice.

(MST3K cast member) Mary Jo Phl has come in to do a few riffs. Has there been talk of any other Best Brains people joining you for riffs?
No, not recently. When we were first starting we contacted a few different folks. Nothing came of that. It's not something we've pursued or they seem to be interested in.

It's been awhile since there's been a Rifftrax Presents with just you and Bill, are you guys doing any more of those?
We might, but I think we'd like to vary it up instead of just using Bill and I, we we can. We'd like to get a guest. We've been having so
much fun saving the big juicy films for ourselves. And there have been lots of big juicy films for us to do recently.

And, one of the new trends at Rifftrax is to have people do their own. We just recently had Jonathan Coulton in the studio with Paul and Storm. They riffed "Tron." The internet folks are going to be very happy about that.

The site also lets fans upload tracks with the iRiffs section, do you guys ever check those out?
That's been fun. I've checked out a couple. There's some very talented people out there giving us a run for our money. It's very encouraging. It means that I won't necessarily have to be 60 years old and writing a riff for Bruce Willis's final attempt at "Die Hard."

Once Rifftrax started up did you get any reactions similar to the "I hate Tom Servo's new voice" banner?
No, I think people were just happy to have that Mystery Science Theater spirit back again in sort of a new form. Revisiting the show would have that "Return to Gilligan's Island" feel for me. So I'm glad riffing came back in a new form.

Some people miss the show, and rightly so, that's fine. But I've always been hoping they come on board and give us a chance. So far it seems like they have, and I'm grateful for that. People get weird about a television show probably have other issues in their live that they need to address.

You've done some live shows at Comic Con and other times during the year. Has there ever been any thought to doing one in Minneapolis, or maybe Des Moines? Just throwing that out there.
Des Moines! That would be great. Des Moines is right in the geek focal point right now because of "Star Trek." Everyone is going to be flocking to Des Moines to see where the space ships are.

We're working out now how we want to do live shows. We've been experimenting with a lot of bumps of doing live online presentations. That's been exciting for people, because they don't have to wait for us to come to their city to see us live. It's not the same as being live on stage, and we're still going to do that, but those will be special events.

We're really having fun exploring this live online thing. It could become almost like an online TV series for us. That would be delightful, to have a small studio audience and then do a riff that people at home can enjoy.

Last question, it came from the fans on the Rifftrax forum: When is "Red Dawn" coming?
(Laughing) That is an excellent question. I do not know that answer. It will come eventually. It must, it's a mandate, for crying out loud. We'll get "Red Dawn" out there eventually.

Serenity now!

Joe Lawler — Mon, 15 Jun 2009 14:47:05 GMT

I freely admit to being a nerd, but the works of Joss Whedon evoke mixed feelings in me. I enjoyed the first two seasons of "Buffy," (well, mostly the second) but the rest of the show and "Angel" never had the same appeal for me. I enjoy his "Astonishing X-Men" comics, but "Dollhouse" sounds boring to me, and as much as I liked the idea of him writing and directing a Wonder Woman movie, everything I heard him say about it left me feeling cold.

But "Firefly" and the follow-up movie "Serenity" worked for me. I'm not the kind of fan who dressed up like a chracter from the show — I've only seen each once — but it appealed to me in a way most of Whedon's other work hasn't. Probably because it continued the "Cowboys as sci fi" idea in a way nothing had since "Star Wars." Even Lucas couldn't quite get it to work after the first film.

My point to all this? There will be a charity screening of "Serenity" at the Fleur Cinema at 10 a.m. Saturday morning. There will be door prizes, weighted auctions and — if you're the kind of fan who does like dressing up like a character from the show — a costume contest.

The event is a fundraiser for Equality Now, which deals with domestic violence, rape, female genital mutilation, trafficking, and reproductive rights worldwide.

Tickets are $10. For more info check out cantstopserenitydesmoines.com